Maybe don’t believe it all, but a great deal of Weapons’ hype is totally justified.

Somehow, Da Peng has made what might be the world’s first fruit thriller in The Lychee Road.

Together asks you to look at how close you’re sitting to your partner. Is this really necessary?

The Bad Guys 2 goes bad, but in a good way, and not in the way sequels go bad. Good.

The Naked Gun is every bit as silly as it looks.

Omniscient Reader: The Prophecy is a B movie dressed up like a franchise tentpole.

It’s far from fantastic but The Fantastic Four: First Steps has a hokey charm that’s something of a tonic right now.

“I know” is the key element in the latest legacy sequel I Know What You Did Last Summer, but gentle.

Rihanna can do many things well. Smurfs movies are not among them.

Thinley Lhamo’s carefully modulated performance is reason enough to check out Nepali director Min Bahadur Bham’s Shambhala.

This Superman ain’t leaping over no buildings but it’s… fine.

Dream Animals is better than any movie based on a cookie has a right to be.

It’s not a Pixar classic but Elio is a perfectly fine piece of family entertainment.

Only in France could cheese play a crucial role in a coming-of-age film. Case in point: Holy Cow.

More dinosaurs, fewer giant grasshoppers, zero Chris Pratt. Jurassic World Rebirth has a lot going for it.

No dancing, no hallways, not animalistic child murder. M3GAN 2.0 is an upgrade in length but not much else.

If you’re going to crank out formula, mix it right, like Joseph Kosinksi and Brad Pitt do in F1.

28 Years Later is not the zombie movie you’re expecting. That’s good.

Patrick Tam and Locker Lam spar quite nicely in Fight for Tomorrow.

Hi-Five’s heart is in the right place even if it’s brain is up its butt.