Mamoru Hosoda’s ambitious Scarlet doesn’t come close to Hamlet’s depth or storytelling grace.

At least Nobody isn’t just another Journey to the West knock-off.

Under Current is the new breed of Hong Kong crime thriller, meaning zero moral ambiguity.

Five Nights at Freddy’s 2 really should be more fun.

Die My Love is punishing.

This is getting repetitive. Zootopia 2 is a lot more of what made Zootopia such a chamer… but less.

Eternity is kind of clever as rom-coms go… unitl it’s not.

Bi Gan’s Resurrection goes down a very, very, very deep Cannes rabbit hole.

Tam Wai-ching turns a glaring spotlight on our blindspots about people with disabilities and sex in Someone Like Me.

Wicked: For Good may not be the surprising jolt that Wicked was, but it’s got its moments.

It’s goofy AF but Now You See Me: Now You Don’t knows that and doesn’t care. Good on ya, mates.

This is not a remake of The Running Man, so Schwarzenegger stans, stand down.

Come to Against All Odds for a lost WWII resistance tale, stay for Louise Wong with a flamethrower.

If you ever needed proof that comedy was subjective, The First Ride is it.

Kokuho is straight up one of the best of 2025.

The Sun Rises On Us All is such a misnomer.

Predator: Badlands is the one with the sweet and cuddly Predator!

Shu Qi’s transformation into Artiste is complete, with her debut feature Girl.

Can Bugonia’s Jesse Plemons be a damn movie star now? Please?

Another World at least proves animator Tommy Ng knows how to make an anime.