Steven Spielberg is back in alien territory with Disclosure Day. But which aliens?

Travis Knight found the power in a bottle of baby oil in the surprisingly entertaining Masters of the Universe.

If you’re keen to see Scary Movie (#6) nothing about how crass and dumb it is will deter you from that mission. Godspeed.

Newcomer Kane Parsons is the latest filmmaker to make the leap from YouTube to the big stage with Backrooms.

Pressure turns its lens on the weathermen of WWII. Who knew they could be this interesting?

If you’re a soft touch for a cute dog movie, well, happy to say Gohan has three.

Come on girls, let’s give up those silly jobs and have babies!

Why is this movie?

Passenger is mos def not the second coming of The Hitcher.

Star Wars: The Mandalorian and Grogu is unlikely to make Disney’s line go up but it is a welcome shot of Star Wars fun.

Maybe The Voice of Hind Rajab is the cudgel we need right now?

Two Prosecutors is the latest “fiction” feature to reflect our current reality back at us.

The Sheep Detectives doesn’t really need Hugh Jackman or Emma Thompson. It has talking sheep.

Korean history has always done well at the Korean box office but The King’s Warden is next level.

Tony Leung teams up with Hungarian filmmaker Ildikó Enyedi and heads into the forest for Silent Friend.

Guan Hu loses the plot in A Man and A Woman, the year’s most tedious non-romance so far.

Say it with me: MORTAL KOMBAAAAAAT… II.

Billie Eilish teams with James Cameron for her third concert film and, no surprise, leans into its tech.

Longman Leung’s Cold War 1994 is the best Cold War movie, maybe until 1995.

The King of Pop’s long-gestating, much re-shot biopic finally lands and Michael is exactly the biopic you should expect.