One of Hong Kong’s most sensational crimes get the cinematic treatment in first time director Ho Cheuk-tin’s The Sparring Partner.

Shazam! Black Adam takes no chances with either its story or its leading man.

We should be so lucky if Halloween Ends were truth in advertising.

Yeah, baby. Kaiju, tokusatsu, laser beams, guys in rubber suits… Shin Ultraman is here.

Who’d a thought I Am Woman would need to be relevant 50 years later?

Taiwanese-American director Arvin Chen returns with Mama Boy. Hoo boy…

There are a lot of teeth in the by-the-numbers rom-com Ticket to Paradise.

Lee Sang-il tries to draw a line between a psychology and a crime in the meandering Wandering.

Laid-Back Camp Movie, for all your chillin’ needs.

David O Russell is back with Amsterdam, his on-the-nail allegory for absolutely everything.

Cute dog alert! Touching canine misadventures power Haw to charming if not glorious heights.

Smile is every person who’s ever been told to’s vindication.

How much more ’Rona you can take will decide whether you see The Year of the Everlasting Storm.

You into ol’ fashioned Christie whodunits? Then See How They Run is your jam.

Come see dumb college dickheads get eaten by sharks.

Florence Pugh’s fondness for Aperol and Harry Styles’ acting are the least of Don’t Worry Darling’s problems.

The North Sea proves that we need the Norwegians to take care of our oil disasters.

Brett Morgan’s definitive David Bowie doc Moonage Daydream does the artist justice, at least as best it can.

It’s gorgeous, but get a double espresso before taking your seat at Before, Now & Then.

What Tales from the Occult does best is make us think of other, better Hong Kong horror films.