Hostage-chic continues in Yim Soon-rye’s The Point Men.

Mabel Cheung turns documentarian for her portrait of a Ying Wa generation in To My Nineteen-Year-Old Self.

Yes, guy! Plane is Gerard Butler’s annual late winter punch-up, and it’s one of his best.

Let’s see… Watch Boogie Nights again or try Babylon? Boogie Nights all the way.

Martin McDonagh, Colin Farrell and Brendan Gleeson reunite for The Banshees of Inisherin. Mwa! Chef’s kiss.

Kiwi Chow returns to his sentimental, youthful roots with Say I Do to Me.

Do you actually believe for a second Tom Hanks would play an asshole?

Donnie Yen does his martial thing in the latest adaptation of Demi-Gods and Semi-Devils, Sakra.

A Guilty Conscience looks like it might ride the legal thriller wave currently crashing over Hong Kong.

If it’s January it must be time for a goofy J.Lo movie, so hello Shotgun Wedding. Bless.

The creepy and funny M3GAN carries on the grand tradition of homicidal dolls.

Does anyone really care what the reviews for The First Slam Dunk say?

Florian Zeller focuses on the second part of the family in his second feature film The Son. Mostly, anyway.

Nothing quite like some Guy Ritchie-style kinetic violence and snappy dialogue. Get me Snatch.

Like most biopics, I Wanna Dance with Somebody won’t teach you anything, but the soundtrack slaps.

If you’re obsessed with the movies, the genesis of creativity, or Steven Spielberg, The Fabelmans is a must-see.

Gross and grosser. The rich get theirs – again – in Ruben Östlund’s ambitious Triangle of Sadness.

Relax, Lam Sum’s The Narrow Road is only kinda sorta a COVID movie.

Shrek who? Antonio Banderas is back as Puss in Puss in Boots: The Last Wish.

Best not go to court armed with Fantasy•World as Exhibit A.