Zar Amir Ebrahimi is still taking the Iranian state to task, this time in a classic sports drama, Tatami.

Alex Garland’s Civil War isn’t what you think it is and it’s not going to serve any of our biases.

All of Jang Jae-hyun’s films so far led to Exhuma.

First-timer Sasha Chuk gets personal in the semi-autobiographical Fly Me to the Moon.

Shiori Ito isn’t afraid of powerful men. Black Box Diaries proves that.

Ado-rom! That’s it. 18x2 Beyond Youthful Days is a better adolescent romance than most.

It could be a lot scarier, but The First Omen is a legit strong addition to an under-exploited property.

Tsai Ming-liang still has Lee Kang-sheng walking, this time in Washington DC for Abiding Nowhere.

Like an Xed brand collab, Godzilla x Kong: The New Empire is in your face – then gone.

Po the kung fu fighting giant panda returns for more of the same in Kung Fu Panda 4.

Hong Kong director Ray Yeung probes the legality and morality of same-sex partner inheritance rigths in All Shall Be Well.

If you go into Ghostbusters: Frozen Empire expecting to be hurtled to 1984, you win.

YOLO proves that sometimes once is enough.

It’s not as dark ast Kitaro, but Totto-Chan tells The Boy and the Heron’s story better.

Anthony Hopkins makes the British Oskar Schindler into a compellign wartime hero in the otherwise honourable, but pedestrian, One Life.

Tsang Tsui-shan heads back to the village in the third in her unofficial Ho Chung trilogy, Winter Chants.

Might as well cue up a Spotify playlist. You’ll learn as much as you will from Bob Marley: One Love.

Love is a Gun is artsy enough for Critics’ Week. Do with that what you will.

The Lyricist Wannabe will tell you why we should have a little more respect for Cantopop.

Da’Vine Joy Randolph steals the show in Alexander Payne’s latest angsty white guy drama, The Holdovers.