Pixar may need to do more work to convince us it hasn’t totally been subsumed by the Mouse, but Hoppers is a good start.

Gavin Lin’s Sunshine Women’s Choir is treacly hokum and completely ridiculous. It’s Taiwan’s biggest local hit ever.

Liu Kuan-ting and Jennifer Yu suffer wedding day emotional mania in Joseph Hsu’s surprisingly engaging Double Happiness.

It’s CNY, it’s got funny bits, there’s gold, but Jack Ng’s Night King has more on its mind than red pockets.

There’s not making sense, then there’s The Snowball on a Sunny Day.

No.

The SpongeBob Movie: Search for Squarepants carries the series’ torch nicely – and with no stolen recipes.

This is getting repetitive. Zootopia 2 is a lot more of what made Zootopia such a chamer… but less.

It’s goofy AF but Now You See Me: Now You Don’t knows that and doesn’t care. Good on ya, mates.

If you ever needed proof that comedy was subjective, The First Ride is it.

Dolls and clowns are inherently creepy so Shinobu Yaguchi experiments with horror in Dollhouse.

Time to move out. Downtown Abbey: The Grand Finale feels like the end.

Nobody 2 is a repeat of Nobody, with a few more dad jokes.

Somehow, Da Peng has made what might be the world’s first fruit thriller in The Lychee Road.

The Bad Guys 2 goes bad, but in a good way, and not in the way sequels go bad. Good.

The Naked Gun is every bit as silly as it looks.

Only in France could cheese play a crucial role in a coming-of-age film. Case in point: Holy Cow.

No dancing, no hallways, not animalistic child murder. M3GAN 2.0 is an upgrade in length but not much else.

Hi-Five’s heart is in the right place even if it’s brain is up its butt.

A Samurai in Time is the kind of low-budget DIY filmmaking that reminds you why you like the movies.