In her mind Anne Hathaway is in a campy Brian De Palma trashfest, but in reality she’s just in Verity.

Philip Yung drops true crime for a minute for a nuanced and sensitive portrait of a trans woman in Cyclone.

Natsuo Kirino already did Magical Secret Tour better in Out. Read that.

Forgotten Island is in the running to win the crown for this year’s most unexpected delight.

Hirokazu Kore-eda’s Look Back is a cinematic Xerox.

Pedro Almodóvar goes back to the well of his own life – maybe? – in Bitter Christmas.

Legacy sequels like Practical Magic 2 shouldn’t exist just for nostalgia but try telling them that.

You can tell summer is over when the animated offerings turn dead serious and aim at the olds, like Decorado.

Really, the solution to all life’s problems is a good, long walk according to Santiago: The Camino Therapy.

The Dating Menu isn’t really food porn, but it is a step up for Amos Why and an announcement for Frankie Chung.

If you wished introducing your partner to your parents could have gone better, Back to Love will speak to you.

Food is the love language in Kim Tae-yong’s Number One, a high concept love letter to mom’s cooking.

Chiikawa the Movie: The Secret of the Mermaid Island is aggravatingly cute. That’s either wonderful or a waking nightmare.

Brand new is hardly a way to describe Spider-Man: Brand New Day but it doesn’t matter because ka-ching!

Behold, Yui Suzuki, who makes Chie Hayakawa’s Renoir mostly worth the effort.

Nice guys aren’t always bloody nice in Curry Barker’s Obsession.

Whether you want to raise you phone for the central song is down to personal taste in John Carney’s latest music saga Power Ballad.

Toy Story 5 is exactly like the first four Toy Storys. You’ll be crushed by that idea or delighted by it.

Sheep in the Box is purely for Hirokazu Kore-eda devotees.

Steven Spielberg is back in alien territory with Disclosure Day. But which aliens?