Die My Love is punishing.

Bi Gan’s Resurrection goes down a very, very, very deep Cannes rabbit hole.

Tam Wai-ching turns a glaring spotlight on our blindspots about people with disabilities and sex in Someone Like Me.

Wicked: For Good may not be the surprising jolt that Wicked was, but it’s got its moments.

If you ever needed proof that comedy was subjective, The First Ride is it.

Kokuho is straight up one of the best of 2025.

The Sun Rises On Us All is such a misnomer.

Shu Qi’s transformation into Artiste is complete, with her debut feature Girl.

Can Bugonia’s Jesse Plemons be a damn movie star now? Please?

Regretting You is precisely what you’d expect from the author of It Ends With Us.

Black Showman is exhausting and exasperating.

It Was Just an Accident director Jafar Panahi will not shut up, and that’s a good thing.

No Other Choice proves Park Chan-wook’s almost as pissed off with late stage capitalism as Bong Joon-ho is.

The myth, the legend, Sons of the Neon Night is finally here.

Put simply One Battle After Another is great shit and deserves every inch of its IMAX space.

Holy crap is Alpha ever an unholy mess of a movie.

The Ugly has got to be one of the most frustrating films of the year so far.

A Big Bold Beautiful is none of those, though it really tries to be.

Time to move out. Downtown Abbey: The Grand Finale feels like the end.

Is Dongji Rescue maybe Die Hard in the Pacific War?