Longman Leung’s Cold War 1994 is the best Cold War movie, maybe until 1995.

Now this… We’re Nothing at All is the Herman Yau we’ve all come to know and love.

Ciao UFO finally visits and wow, what a difference a few years makes.

Directors Veronica Bassetto and Sophie Yang might have futures as game designers if Gamer Girls goes belly up.

Ultimate Revenge is painfully familiar. But it’s also just crunchy enough to be entertaining.

Tracy Choi’s Girlfriends makes for a nice middle entry in what, fingers crossed, might be a smart, sapphic trilogy.

It’s CNY, it’s got funny bits, there’s gold, but Jack Ng’s Night King has more on its mind than red pockets.

There’s not making sense, then there’s The Snowball on a Sunny Day.

Timothy Yeung’s Finch & Midland isn’t actually as grim as it seems on the surface.

Yowza, 2025 was kind of a hot mess, wasn’t it?

Fans: Louis Koo is going Back to the Past. Non-fans? Maybe try SpongeBob.

Under Current is the new breed of Hong Kong crime thriller, meaning zero moral ambiguity.

Tam Wai-ching turns a glaring spotlight on our blindspots about people with disabilities and sex in Someone Like Me.

Another World at least proves animator Tommy Ng knows how to make an anime.

Measure in Love tells a story of inequality and environmental collapse through a romantic lens. Mileage will mos def vary.

The myth, the legend, Sons of the Neon Night is finally here.

Patrick Tam and Locker Lam spar quite nicely in Fight for Tomorrow.

Fish Liew is stellar in Chong Keat Aun’s baby hatch drama Pavane for an Infant.

Louis Koo doesn’t exactly break bad in Behind the Shadows but he does leave his cool guy image at the door.

Lam Sen and Antonio Tam ask some pretty heady questions about the nature of faith in Valley of the Shadow of Death. Brace.