Patrick Tam and Locker Lam spar quite nicely in Fight for Tomorrow.

Fish Liew is stellar in Chong Keat Aun’s baby hatch drama Pavane for an Infant.

Louis Koo doesn’t exactly break bad in Behind the Shadows but he does leave his cool guy image at the door.

Lam Sen and Antonio Tam ask some pretty heady questions about the nature of faith in Valley of the Shadow of Death. Brace.

It’s not legendarily MIA like Sons of the Neon Night, but Vital Signs has been a long time coming.

Oliver Chan’s Montages of a Modern Motherhood is a film you respect, not one you have fun at.

Smashing Frank is Trevor Choi’s second film but first feature, and it runs on sheer will.

If nothing Nick Cheung’s Peg O’ My Heart is ambitious…

True Love, for Once In My Life could be the definition of current Hong Kong cinema.

Let’s turn our attention to the good, the bad, and the baffling in Hong Kong cinema in 2024.

Donnie Yen positions himself as more than just an ass-kicker in The Prosecutor.

Jill Leung drops another time-and-space bending romance in Last Song for You, and holy crap it works.

Philip Yung is back at what he does best in Papa.

Yes, we’re all into The Last Dance but Riley Yip’s Blossoms Under Somewhere really deserves a look.

Dayo Wong continues his Robin Williams trajectory in Anselm Chan’s The Last Dance.

Stunt twins Albert and Herbert Leung travel back to the bad ol' days of Hong Kong action in Stuntman.

It's right there in the title if not the trailer: Love Lies isn't any kind of thriller. It's pure romance.

Did you take the DSE? Want to take it again? Fair warning.

Seriously, does Herman Yau sleep?

In part one of Herman Yau Summer 2024, Crisis Negotiators won’t make you forget the original, but it’s still better than part two.