If you prefer Nine Inch Nails to Daft Punk, you may prefer Tron: Ares to Tron: Legacy. May.

Measure in Love tells a story of inequality and environmental collapse through a romantic lens. Mileage will mos def vary.

The myth, the legend, Sons of the Neon Night is finally here.

Indian director Anshul Chauhan’s fourth Japanese film, Tiger, crosses as many borders as you’d expect.

Put simply One Battle After Another is great shit and deserves every inch of its IMAX space.

Dolls and clowns are inherently creepy so Shinobu Yaguchi experiments with horror in Dollhouse.

Holy crap is Alpha ever an unholy mess of a movie.

The Ugly has got to be one of the most frustrating films of the year so far.

A Big Bold Beautiful is none of those, though it really tries to be.

If ever there were a time to really just stick with the procedural stuff, it’s in Relay.

Third time is not the charm for Dante Lam’s ‘Operation’ series because Operation Hadal is a mess.

Time to move out. Downtown Abbey: The Grand Finale feels like the end.

It’s a standard rom-com but hey, at least Pretty Crazy tries for a non-standard ending.

It appears to be the end of the road in The Conjuring: Last Rites, at least for TCCU on the big screen.

Exit 8, strangely, is not about getting lost in the Tokyo subway, a horror all its own.

Is Dongji Rescue maybe Die Hard in the Pacific War?

Malice would be a better movie for the questions it doesn’t ask.

Haunted Mountains: The Yellow Taboo makes the urban legend shocker an official sub-genre.

Celine Song has a whole ‘thing’, and if you like it, you’ll like Materialists.

If ever a movie were critic-proof, it’s Demon Slayer: Kimetsu no Yaiba Infinity Castle.