This is not a remake of The Running Man, so Schwarzenegger stans, stand down.

Come to Against All Odds for a lost WWII resistance tale, stay for Louise Wong with a flamethrower.

If you ever needed proof that comedy was subjective, The First Ride is it.

Kokuho is straight up one of the best of 2025.

The Sun Rises On Us All is such a misnomer.

Predator: Badlands is the one with the sweet and cuddly Predator!

Shu Qi’s transformation into Artiste is complete, with her debut feature Girl.

Can Bugonia’s Jesse Plemons be a damn movie star now? Please?

Another World at least proves animator Tommy Ng knows how to make an anime.

Regretting You is precisely what you’d expect from the author of It Ends With Us.

Black Showman is exhausting and exasperating.

It Was Just an Accident director Jafar Panahi will not shut up, and that’s a good thing.

Ethan Hawke is back for the other sibling as The Grabber in Black Phone 2.

No Other Choice proves Park Chan-wook’s almost as pissed off with late stage capitalism as Bong Joon-ho is.

If you prefer Nine Inch Nails to Daft Punk, you may prefer Tron: Ares to Tron: Legacy. May.

Measure in Love tells a story of inequality and environmental collapse through a romantic lens. Mileage will mos def vary.

The myth, the legend, Sons of the Neon Night is finally here.

Indian director Anshul Chauhan’s fourth Japanese film, Tiger, crosses as many borders as you’d expect.

Put simply One Battle After Another is great shit and deserves every inch of its IMAX space.

Dolls and clowns are inherently creepy so Shinobu Yaguchi experiments with horror in Dollhouse.