Italian diretor Matteo Garrone leaves the mean streets behind in favour of a plea for humanity in Io Capitano.

Alex Garland’s Civil War isn’t what you think it is and it’s not going to serve any of our biases.

Yuya Ishii’s The Moon has a whole lot to say, just not entirely coherently.

Nope. Madame Web is not worse than Morbius and it has girls. Get over it.

Ignore the trailer: The Moon Thi4v3s is a solid heist drama with a standout turn by Michael Ning.

Russell the Younger and debuting director Bryce McGuire almost pull off a perfect pool routine in Night Swim. Almost.

Maybe it’s us. Abang Adik isn’t quite the revelation we’re being sold.

Coup de Chance is a Woody Allen movie. I don’t think any other details are required.

Zhang Mo carries on the fast emerging trend of Macau as a dangerous, fictional SEA quasi-Chinese city in the bananas Last Suspect.

Exhibit A in why Martin Scorsese gets to dis Marvel: Killers of the Flower Moon.

It’s Ha Jung-woo and Ju Ji-hoon to the rescue in Middle East hostage thriller Ransomed.

G.But is back already, and until he gives us our Den of Thieves sequel, we’ve got Kandahar.

Oh, you came so close to nutty perfection, Lost in the Stars. So close…

Dear lord, watch your step around #Manhole.

For an idea of what Social Distancing is about, refer to the Chinese title. Just don’t expect much.

What the hell did we just see in Hypnotic? And why didn’t we totally hate it?

Russell Crowe brings a Santa-ish vibe to exoricsms in Overlord director Julius Avery’s The Pope’s Exorcist.

Soi Cheang, Hong Kong’s greatest nihilist, returns with more madness, destiny, blood and guts in Mad Fate.

Wong Hing-fan’s Aaron Kwok-starrer Cyber Heist arrives to put the hacking hijinks of The Net to shame.

Searching 2: Siri to the Rescue would be a better title for the entertaining, if familiar, Missing.