Why is this movie?

Passenger is mos def not the second coming of The Hitcher.

Star Wars: The Mandalorian and Grogu is unlikely to make Disney’s line go up but it is a welcome shot of Star Wars fun.

Maybe The Voice of Hind Rajab is the cudgel we need right now?

Two Prosecutors is the latest “fiction” feature to reflect our current reality back at us.

The Sheep Detectives doesn’t really need Hugh Jackman or Emma Thompson. It has talking sheep.

Korean history has always done well at the Korean box office but The King’s Warden is next level.

Tony Leung teams up with Hungarian filmmaker Ildikó Enyedi and heads into the forest for Silent Friend.

Guan Hu loses the plot in A Man and A Woman, the year’s most tedious non-romance so far.

Say it with me: MORTAL KOMBAAAAAAT… II.

Billie Eilish teams with James Cameron for her third concert film and, no surprise, leans into its tech.

Longman Leung’s Cold War 1994 is the best Cold War movie, maybe until 1995.

The King of Pop’s long-gestating, much re-shot biopic finally lands and Michael is exactly the biopic you should expect.

You can’t accuse Óliver Laxe of lacking the courage of his narrative convictions when it comes to Sirāt.

Lee Cronin’s The Mummy ain’t your daddy’s mummy movie. It’s more your brother’s Sam Raimi.

Caitlin Fang and Will Or do good work, but A Foggy Tale is just a bit too nice all things considered.

It may feel like a day in a dark theatre given how deliberate A New Dawn can be.

Kristoffer Borgli manages to partially deconstuct a thorny subject for us non-Americans in The Drama.

Pegasus 3 is exactly the same movie as Pegasus and Pegasus 2, so at least there’s no disappointment.

Now this… We’re Nothing at All is the Herman Yau we’ve all come to know and love.