Yowza, 2025 was kind of a hot mess, wasn’t it?

It’s Oona Chapin to the rescue in the third, too familiar entry in James Cameron’s billion dollar franchise, Avatar: Fire and Ash.

Fans: Louis Koo is going Back to the Past. Non-fans? Maybe try SpongeBob.

Russell Crowe is a suitably chilling Hermann Göring in James Vanderbilt’s chillingly timely Nuremberg.

No.

The SpongeBob Movie: Search for Squarepants carries the series’ torch nicely – and with no stolen recipes.

Animated Jesus origin story The King of Kings has a very specific market and not enough creativity to attract anyone else.

A bit more camp and less Sydney Sweeney being toted around like a knapsack and The Housemaid could be a kinky pleasure.

Sho Miyake’s quiet, spare, thoughtful Two Seasons, Two Strangers proves he’s one of Japan’s best right now.

Mamoru Hosoda’s ambitious Scarlet doesn’t come close to Hamlet’s depth or storytelling grace.

At least Nobody isn’t just another Journey to the West knock-off.

Under Current is the new breed of Hong Kong crime thriller, meaning zero moral ambiguity.

Five Nights at Freddy’s 2 really should be more fun.

Die My Love is punishing.

This is getting repetitive. Zootopia 2 is a lot more of what made Zootopia such a chamer… but less.

Eternity is kind of clever as rom-coms go… unitl it’s not.

Bi Gan’s Resurrection goes down a very, very, very deep Cannes rabbit hole.

Tam Wai-ching turns a glaring spotlight on our blindspots about people with disabilities and sex in Someone Like Me.

Wicked: For Good may not be the surprising jolt that Wicked was, but it’s got its moments.

It’s goofy AF but Now You See Me: Now You Don’t knows that and doesn’t care. Good on ya, mates.